Issue 8
Fall 2017
Essays
No Enemies
by Jacob Dreyer
June 4, 1989, changed China — and art history — forever. The dissident, the hipster, the eyewitness, the institutionalist: four paths onward from Tiananmen Square
The Other Side of the Tracks
by Jacob Moore
Just north of Chelsea’s galleries is the largest private real estate development in US history. Who is Hudson Yards for — and is anyone paying attention?
House of Treasures
by Max Nelson
Wonderstruck, Todd Haynes’s kid-friendly new film, rambles through the Natural History Museum. As in all his melodramas, everything hinges on the rules of display
Negatives
The Season Finale
Interviews
Camille Henrot
“Most people who express opinions online only want to convince other people — whereas the person who doesn’t know, who’s reflecting, that’s the voice you want to hear the most! ‘I’ve been ruminating over this for a while, I’m really unsure of what to say…’. Nobody ever says that online!”
Liz Glynn
“The Getty Villa is paradise, but it’s also utterly fake. When I came to California, none of the materials that I would find on the side of the road were anything but garbage, really. Performance became a way to invest those objects with a history.”
Reviews
Negatives
Scandal Sheet
by Suzy Hansen
Turkey’s best newspaper goes on trial. The prosecution of Cumhuriyet, and its star journalist Ahmet Şık, is just the latest chapter in a long, sordid story
The Old Curiosity Shop
by Lauren Elkin
Adieu, Colette; adieu, the 90s. Paris’s quirkiest concept store, shutting its doors this year, was heir to a tradition that Balzac would have recognized
Stand Clear
by Michael Kinnucan
This train runs local to the ninth circle. New York’s subway system is falling apart; what happens to a city this rich and safe when its infrastructure finally rots?
The Semiconductor
by Deirdre Loughridge
As Venezuela rumbles, LA’s maestro goes silent. Gustavo Dudamel says music is apolitical, but orchestras are dictatorships in their own way